So I wanted to make it seem real and convincing. I was in love with people who couldn't care less about me. Liz Phair. About Liz Phair. The interior artwork is based on that of Lopez Tejera's 1952 album "The Joys and Sorrows of Andalusia". On the wistful “Explain It to Me,” she plays her guitar over a slow tom-tom; “Canary” features an echoing piano that plays while she sings with tongue firmly planted in cheek, “I come when called / I come, that’s all.”, With the lo-fi production — it sounds almost like Phair plugged in her guitar, pressed record on her tape player, and started playing — she is allowed to be honest, stripped bare of any artificiality. [7], Despite this, the album inspired a number of imitators, and the lo-fi sound and emotional honesty of Phair's lyrics were frequently cited by critics as outstanding qualities. Soon she moved into his apartment and started playing her songs to him. "Johnny Sunshine" was one of the first songs recorded in 1992 that eventually made the record. The press put it out there that Liz Phair’s Exile in Guyville was a song-by-song reply to the Rolling Stones’ ultra-macho Exile on Main St. but I was too entranced to keep track. When Matador was contacted by Phair in 1992, they signed her. The MP3 download ONLY INCLUDES THE GIRLY SOUND TAPES. She wasn’t signed by Clive Davis at Arista Records because she didn’t look like Whitney Houston or sing like Celine Dion. Exile In Guyville. She tosses aside all traditional songwriting models; sometimes the songs have no chorus, and sometimes there’s just a chorus and nothing else. On March 15, 2018, Phair revealed that her former label Matador Records would be reissuing the album in celebration of its 25th anniversary. Though a consummate songwriter, Liz Phair is best known for her pre-Lilith feminist leanings. [3] In 1999, Pitchfork rated Exile in Guyville as the fifth best album of the 1990s. 2008. “And the license said you had to stick around until I was dead / But if you’re tired of looking at my face, I guess I already am,” she sings in “Divorce Song.”, But it’s Phair’s ballads that express her true vulnerabilities. This is Behind The Cover, brought to you by Pure Music Manufacturing.This is a feature where we explore the background of the music and cover art of … Phair commented in interviews that the album was a song-by-song reply to The Rolling Stones' 1972 album Exile on Main St.[10] Some critics contend that the album is not a clear or obvious song-by-song response,[11] although Phair sequenced her compositions in an attempt to match the songlist and pacing of the Rolling Stones album. But opting out of some of these cookies may affect your browsing experience. She began her career in the early 1990s in Chicago by self-releasing audiocassettes under the name Girly-Sound. What’s left are raw emotions. Guyville, because it was definitely their sensibilities that held the aesthetic, you know what I mean? Necessary cookies are absolutely essential for the website to function properly. Two years later, Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released. I wrote the whole album for a couple people to see and know me."[7]. [9] When asked during an interview with Noah Adams on his radio show All Things Considered about the concept, she elaborated: "It was a state of mind and / or neighborhood that I was living in. Phair has stated, "We both wanted something for me. Eventually, Henderson stopped showing up at the studio, which made Phair move out of his apartment and start working exclusively with Brad Wood on what would become Exile in Guyville. This website uses cookies to improve your experience while you navigate through the website. I was yearning to be part of a scene. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. So I blew him off." In 2020, it was ranked #56 by Rolling Stone in its 500 Greatest Albums of All Time list. Your email address will not be published. Liz Phair Wrote the Book on Fucking. Released 24 June 1993 on Matador (catalog no. If it sucked, no one would hesitate to say so if they believed it. A Second Listen: R.E.M., 'New Adventures in Hi-Fi', A Third Beatles Fantasy Album: Free As A Bird, Album Review: The Sea – Corinne Bailey Rae, Concert Review – Teenage Fanclub, 3/18/19. For decades, men have been able to do pretty much anything in rock music, from Bob Dylan’s less-than-stellar voice and looks to John Lennon’s use of the f word in “Working Class Hero.” By comparison, women have had to be more demure, relying on pretty faces and spectacular voices to succeed on the charts. [23] However, in its 2003 revision of the list, it moved to number 30.[24]. The intense… More about Liz Phair [27], As per the liner notes of the 2008 reissue:[28], ^shipments figures based on certification alone, Girly-Sound to Guyville: The 25th Anniversary Box Set, "Liz Phair Releasing Rare Girly-Sound Demos With 'Funstyle' LP", "Liz Phair on 'Guyville' and the Secret to a Successful Topless Photo Shoot", "He Said, She Said: How Liz Phair Took the Rolling Stones to 'Guyville, "The Next Big Things On Local Rock Scene", Christgau's Consumer Guide: Albums of the '90s, "Liz Phair: Girly-Sound to Guyville: The 25th Anniversary Box Set", 2001 VH1 Cable Music Channel All Time Album Top 100, Pitchfork's original "Best Albums of the '90s" list, Pitchfork's 2003 "Best Albums of the '90s" list, https://twitter.com/PhizLair/status/974382379136512000, "Liz Phair – Exile in Guyville (2008 CD, ATO Records, ATO0059)", "American album certifications – Liz Phair – Exile in Guyville", Recording Industry Association of America, Liz Phair Reissues Exile in Guyville, Signs to ATO, October 6, 2008 NPR Live Performance in Los Angeles of 'Exile in Guyville', Girly Sound: Yo Yo Buddy Yup Yup Word to Ya Muthuh, The Tra La La Song (One Banana, Two Banana), https://en.wikipedia.org/w/index.php?title=Exile_in_Guyville&oldid=1000329704, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from June 2013, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 January 2021, at 17:38. LIZ PHAIR’S 1993 DEBUT full-length album, Exile in Guyville, didn’t ask permission to rock; she just kicked out a space for herself among all the young dudes. All tracks are written by Liz Phair, except where noted. It’s a joyous moment. On May 4th, Matador Records will release Girly-Sound To Guyville: The 25th Anniversary Box Set. Actually we just played our parts separately. You know what I mean? IF MOST people found Madonna's 1992 album Erotica shocking, there was no way in 1993 the largely sexless world of indie/alternative rock was going to be able to handle Liz Phair's debut, Exile In Guyville. In 1998, it was certified gold by the RIAA. These sessions were thereby very different from the recording sessions with John Henderson. Includes EXILE IN GUYVILLE (double remastered LP) ... An extensive booklet containing an oral history by Jason Cohen including interviews with Liz Phair, Chris Brokaw, Brad Wood, John Henderson and more, an essay by Liz Phair, and an essay by journalist Ann Powers. Phair eventually sought the mainstream, employing songwriters that had penned hits for such pop stars as Avril Lavigne, but Exile in Guyville, her response to the Rolling Stones’ Exile on Main Street, is just as much a classic as the precursor was. From Liz Phair's Girly-Sound To Guyville: the 25th Anniversary Box Set, released May 4th, 2018 from Matador Records. Liz Phair's 'Exile In Guyville' Live Fifteen years after it was released, Exile in Guyville still resonates — if not for its faded shock value, then for its brilliant songcraft. Liz Phair’s Exile In Guyville Album Cover Lacks The Flair Of Her Original Idea. [5] The recipients of the Girly-Sound tapes circulated copies with other early fans.[6]. “Exile in Guyville” is indie rocker Liz Phair’s debut studio album, released in June 1993 by Matador Records. Re-Mastered Special Edition Includes Three Unreleased B-Sides and Special Guyville Redux DVD of Liz interviewing all the original "guys" of Guyville. Phair’s music is far from simple; her guitar playing is unique, finding chords where there shouldn’t be any and stringing them together for three-minute songs that fit the lyrics perfectly. She commented, "That stuff didn't happen to me, and that's what made writing it interesting. Liz Phair was apartment-sitting in Chicago, thumbing through a box of cassettes, when the Rolling Stones’ Exile on Main Street caught her eye. Liz Phair is a US singer-songwriter and guitarist. With her 18-song double-LP debut, Phair pried the lid off her life and sang away secrets. VH1 named Exile in Guyville the 96th Greatest Album Of All-Time. If Exile in Guyville is shockingly assured and fully formed for a debut album, there are a … Originally, the album cover was largely collage based and involved "a fat lady in a pool". Regarding the recording process, Casey Rice stated, "We basically all sat around and thought about how to make the guitar and vocals versions of the songs into what we thought would be better ones. The videos for "Never Said" and "Stratford-On-Guy" received airplay on MTV. This kind of guy mentality, you know, where men are men and women are learning." Guitar, Vocals – Liz Phair: 2:03: 15: Johnny Sunshine Bass – Tony Marlotti Drums, Backing Vocals – Brad Wood Guitar, Vocals – Liz Phair: 3:27: 16: Gunshy Guitar [Sick Guitar] – Brad Wood Guitar, Vocals – Liz Phair: 3:15: 17: Stratford-On-Guy Drums – Brad Wood Guitar, Vocals – Liz Phair… But I had a hunch, and I called her back and said okay."[7]. Listen to her four-track versions of the tunes, and try to come up with ways of doing them as a 'band'. In 1993, no rock record was as divisive as Liz Phair’s Exile in Guyville. It was the number one album in the year-end critics poll in Spin and the Village Voice Pazz & Jop critics poll.[21]. We recorded "Fuck and Run," and that's when I realized we were on to something. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Despite the outcome of the recording sessions, Henderson tipped off Brad Wood that Matador was interested in Phair. Phair commented, "It's odd... Guyville was such a part of indie. The resulting album was released in 1993, receiving widespread critical acclaim. Another problem that arose from her success was also dealing with her stage fright. I wasn't connecting with my friends. I do recall there being no lack of candor and if someone wanted to do something, we tried it. Sometimes Phair is armed only with an electric guitar; other times an eerie piano is the only accompaniment. Girls! Henderson preferred a stripped-down but precise sound, possibly with outside musicians, while Phair wanted a fuller sound. The album received widespread critical and commercial success. It was so normal, from my side of things. However, the whole process was made difficult by the fact that he and Phair had opposite ideas regarding what direction to take in terms of sound. On “Fuck and Run,” Phair, who lives in Chicago, manages to sound both wistful and pissed off. It’s a terrible double standard, and while there are exceptions, it’s been the rule ever since the 60s brought on the male singer-songwriter. Initially, she sent out only two tapes, one to Tae Won Yu from the band Kicking Giant, and the other to Chris Brokaw. By the spring of 1994, it had sold over 200,000 units, peaking at No. The album received widespread critical and commercial success. He was projecting onto me what he wanted my music to come out like, which was wrong. Melodic pop and 80s music - especially for you. These cookies do not store any personal information. A recording of Phair's version of "Wild Thing" (based on the melody of The Troggs song) was planned for inclusion, but dropped at the last moment; the song was later included on the "Girlysound" disc of Phair's "Funstyle" album.[25]. Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. Being emotionally forthright was the most radical thing I did. I laid down the guitar, and then I would just tell them what kind of song it would be and what kinds of instruments we needed to do. Originally, Phair's recordings were supposed to come out on Henderson's label. As of July 2010, the album had sold 491,000 copies. We also use third-party cookies that help us analyze and understand how you use this website. We'll assume you're ok with this, but you can opt-out if you wish. [7], The term Guyville comes from a song of the same name by Urge Overkill. On the previously mentioned “Shatter,” the guitar sings for a full two-and-a-half minutes before she begins singing. Asked about what she sees in Guyville, Phair said that "All the guys have short, cropped hair, John Lennon glasses, flannel shirts, unpretentiously worn, not as a grunge statement. The final cover design is a photo of Liz topless in a photo booth,[8] taken and cropped by Nash Kato of Urge Overkill. Exile in Guyville was also a moderate commercial success. It was recorded at Idful Music Corporation in Chicago between 1991 and 1993 and produced in collaboration by Phair and Brad Wood. Phair’s influence extends to Kim Gordon of Sonic Youth and groups like the Breeders and L7, and to a lesser extent, Alanis Morissette and Tori Amos. [4], In the summer of 1991, Phair wrote and recorded songs on audio cassette tapes, which she circulated in Chicago using the moniker Girly-Sound. The booklet also features a collage of several Polaroid photos of Phair, Wood, Rice (and various other people), with a paraphrase from lines from the movie Dirty Harry. It is mandatory to procure user consent prior to running these cookies on your website. Gerard Cosloy, co-president of Matador, stated that "We usually don't sign people we haven't met, or heard other records by, or seen as performers. Henderson brought in producer Brad Wood to help develop the 4-track demos into full songs. Instead, she made her first album on an indie label. ", Phair has also stated that most songs on the album were not about her. Eventually, a Girly-Sound tape had made it to the head of Matador Records. The New York Times' Meghan O'Rourke's review, titled "Liz Phair's Exile in Avril-ville", said that Phair "gushes like a teenager" and had "committed an embarrassing form of career suicide." It was sort of guy things - comic books with really disfigured, screwed-up people in them, this sort of like constant love of social aberration. Wood stated, "We did two or three evenings of recording just for fun where we tried to discover something. Sticker on cover reads: 15th Anniversary Reissue. [3] As of July 2010, the album had sold 491,000 copies. This release is an extensive, limited edition 7-LP or 3-CD box set to celebrate the anniversary of her classic album. It frequently appears on many critics' best-of lists. Your email address will not be published. This website uses cookies to improve your experience. Exile in Guyville, her gold-selling debut album, was enthusiastically praised upon its 1993 release, and spawned a rash of imitators during the following years, particularly American female singer/songwriters. Phair has commented, "It was fun. It was more like collage work than really playing with a band.". John Henderson, owner of the Chicago indie label Feel Good All Over, heard the tapes and contacted Phair. The reissue package includes three previously unreleased songs from the original recording sessions: "Ant in Alaska", "Say You", and an untitled instrumental with Phair on guitar (commonly known as "Standing"). The reissue was released on May 4, 2018 in four formats; the physical LP box set, the digital deluxe edition, as well as cassette and CD pressings. Official site . It had so much exuberance." Liz Phair broke through the scene in 1993 with her debut Exile in Guyville, blending her indie rock sound with a blunt lyricism that didn’t shy away from subjects that … On March 31, 2008, Pitchfork Media announced that Phair had signed a new deal with ATO Records and that her first release for the label would be a special 15th Anniversary reissue of Exile in Guyville, featuring three bonus tracks from the original Guyville recording sessions and an accompanying DVD about the album's creation. After the early sessions with John Henderson, Liz Phair started working with producer Brad Wood at Idful Studios, in 1992. Her album Exile in Guyville was chosen as one of Rolling Stone's 500 Greatest Albums of All Time. Enter Liz Phair, standing all of five feet two inches tall, with a foul mouth and a renegade image. Initially, there were many time constraints because Phair had moved into her parents' house which was far from the studio, and Wood had to manage his time between his work at the studio and his work as a janitor. Eventually, engineer Casey Rice joined Idful and started working with Phair and Wood as she had no band of her own. Despite its low-fi production, Exile in Guyville roams giddily all over the pop landscape. ", "Flower", "Johnny Sunshine", "Divorce Song", "Soap Star Joe", "Shatter", and "Stratford-on-Guy" (as "Bomb") all originated from a set of home recordings by Phair under the moniker Girly-Sound, and were re-recorded for the album. It was recorded at Idful Music Corporation in Chicago between 1991 and 1993 and produced in collaboration by Phair and Brad Wood. It’s been 15 years since the release of the groundbreaking Exile in Guyville – and Liz Phair is marking the occasion by returning to her roots. Her signature guitar, which she is often seen playing (and is prominent upon the cover of her self-titled fourth album), is a Fender Duo-Sonic II. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. She used their album as a template if you will and instantly had a title: Phair being the female musician outcast in a city full of male musicians was, herself, the "Exile … “And whatever happened to a boyfriend / The kind of guy who tries to win you over?” she laments in “Fuck and Run.” And on “Shatter,” she sings, “Just being with you slapped me right in the face / Nearly broke me in two.”. Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. [26] Absent from the reissue are the two Girly-Sound demos "Shatter" and "Fuck or Die," as Phair was unable to get the samples used in both songs approved. However, when Phair signed to Matador, she sublet an apartment close to the studio, which simplified the process. 2018 marks the 25th anniversary of Liz Phair’s landmark album Exile in Guyville. And on “Strange Loop,” the cacophony that builds at the end makes you lose sense of the cadence before Phair tones down the noise and her guitar finds the rhythm again, singing happily and giving us hope amid all the catharsis we’ve heard on previous songs. Work boots. Phair’s albums, particularly her 1993 debut “Exile in Guyville” and the follow-up “Whip-Smart,” have influenced two generations of young female singer … I was in a posing kind of mode, yearning to have things happen for me that weren't happening. The indie legend on the history of "Fuck and Run." I just wanted people who thought I was not worth talking to, to listen to me." Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. Or the Best Song About It, At Least. You also have the option to opt-out of these cookies. It was right: simple, driving, direct and blunt. These cookies will be stored in your browser only with your consent. [citation needed] In 2008, Phair stated it was originally "an orgy of Barbies floating in a pool",[8] a concept that Matador rejected, stating that such artwork wouldn't sell. The album, which was out of print, was again available on CD, vinyl and, for the first time, in digital format. Exile in Guyville, an Album by Liz Phair. The reissue consists of the original album remastered and Phair's three Girly-Sound demo tapes, marking the first time that the full set of demo tapes would become available for official purchase. Girls! The songs "Fuck and Run", "Never Said" (as "Clean"), "Girls! About Liz Phair. Rated #87 in the best albums of 1993, and #3868 of all-time album.. It was ranked 15 in Spin's "100 Greatest Albums, 1985–2005". This category only includes cookies that ensures basic functionalities and security features of the website. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. Exile In Guyville By Liz Phair. I wasn't connecting with relationships. The reissue was released on June 24, 2008 in the United States and on August 25, 2008 in the United Kingdom. Guyville Redux features Phair and all the people involved with the album, recounting its making and describing the male-dominated, Chicago indie music scene of the early 1990s. Genres: Indie Rock, Singer/Songwriter. Phair was also responsible for a great part of the artwork design. Exile In Guyville MP3 available HERE. Phair interviews, among others, Gerard Cosloy and Chris Lombardi of Matador Records, indie producer Steve Albini, Ira Glass of the public radio program This American Life, John Henderson, Brad Wood, John Cusack (who founded the Chicago avant-garde theater group New Crime Productions) and Urge Overkill. Phair reacted to the reception of Guyville, saying "I don't really get what happened with Guyville. OLE 051-2; CD). The sudden success of the album also generated a somewhat negative response from Chicago’s indie music scene. And then they would go in there and figure out a part and then do it. Exile in Guyville, culled from a few demo tapes, is a masterpiece full of unpredictable, truly independent sounds. I was kind of at war with indie when I made that record." Liz Phair explained the concept of the album on a Billboard article, stating that "For me, Guyville is a concept that combines the smalltown mentality of a 500-person Knawbone, KY.-type town with the Wicker Park indie music scene in Chicago, plus the isolation of every place I've lived in, from Cincinnati to Winnetka". 196 on the Billboard 200 and was Matador's most successful release at the time. Originally released in 1993 on Matador Records. Required fields are marked *. In 2020, it was ranked #56 by Rolling Stone in its 500 Greatest Albums of All Time list. This really spare beat: just guitar, drums and vocals. Liz Phair is a Grammy-nominated singer-songwriter whose debut album, Exile in Guyville, has been hailed as a landmark of indie rock. ", Brad Wood provided a different recording approach, structuring the drum patterns and bass lines around Phair's vocal phrases and guitar riffs, instead of recording the rhythm section first and then layering the guitars and vocals on top. [22] In 2020, the album was ranked #56 on Rolling Stone's list of 500 Greatest Albums of All Time. , Pitchfork rated Exile in Guyville is the debut studio album by American singer-songwriter Phair. Stuff did n't happen to me. `` [ 7 ] I did States and on August,. Sucked, no one would hesitate to say so if they believed it July 2010, the album was #... A great part of indie... Guyville was also a moderate commercial success use third-party cookies help. Despite its low-fi production, Exile in Guyville is the debut studio by. We were on to something you use this website to say so if they believed it if someone wanted make. Chicago by self-releasing audiocassettes under the name Girly-Sound such a part and then do.! 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